The MELANCHOLIA is a hybrid monophonic desktop synthesizer with a big sound — but it is as small as a stompbox. It is based on a pulse wave modulated oscillator routed through a resonant low pass filter.

There are different ways to control the massive tonality of the MELANCHOLIA, either through light dependent resistors (LDRs) or through LED control via Vactrols (LEDs and LDRs combined). The cutoff, pitch, (oscillation) speed, modulation, and resonance pots let you control the device’s sound as you are used to with other synths.

The basic tuning (TUNING) and pulse wave modulation (PWM) pots enable you to define the sound basis of the MELANCHOLIA in detail.

The icing on the cake is the optional one shot mode and the optional use of the light dependent resistors, which let you achive a droning wah effect by controlling the amount of light hitting the LDRs.

On top, you can control the synthesizer with your sequencer by plugging it into the rear side CV and GATE jacks.

The MELANCHOLIA is a touring friendly and highly intuitive synthesizer with a massive in-your-face sound — put it in your modulation and distortion chain and you are good to go to build even higher walls of sound.

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The RITA’S CRACKED POINTE SHOE is a collaboration between TH/FX NOISEDEVICES and Sam McKinlay of THE RITA. It is intended to be used as a handheld device and the effect’s intensity can be controlled continously variable via a pot. Use it like Sam in its raw state to create THE RITA aesthetic, or send it adjusted through your effects chain to build some ominous walls of sound.

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The HARSH ANTI is a device for all kinds of electric sound generating instruments. It is a wide range ringmod distortion which goes from “void” to “harsh” with just the turn of a knob. Dialing the ringmod pots to zero leads to pure distortion. But not only the HARSH ANTI’s sound is harsh. The seven LEDs also combine to create a super bright red spot.

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The BAIKAL is a hybrid monophonic desktop synthesizer that offers the best of both analog and digital worlds.

It is designed in two halves — the main circuit board is all digital, generating various sound sources, mixing and treatment options, envelopes, LFOs, and a 16-step sequencer and arpeggiator. It is equipped with an 16-line by 2-character LCD display, an encoder pot to navigate through parameters/pages shown on the display, four pots to modify the synthesis parameters, and six push buttons to cycle between groups of related pages, to switch between the synthesis pages and the sequencer/system pages, and to load and recall presets.

The all analog LP2 filter plus delay board forms the second half of the BAIKAL. It combines a raw OTA-C 2-pole filter with a classic lo-fi delay. It contains the voltage-controlled filter and amplifier, and has the ability to treat external audio.

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The VOXVORTEX is a vocal noise machine with optional bright or dark reverb going into our own massive SPUTNIK fuzz.

100% handmade, best metal parts, no cheap plastics, unique design, etched enclosure.

Follow the fresh project Vorare (members of Fawn Limbs, Sulphur Nurse, Mireplaner, and more) for updates on new music in which the first VOXVORTEX is involved.

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We had the pleasure to develop, design, and build this special Geiger counter imitating device named RITA’S CRACKED POINTE SHOE for THE RITA.

“Noise generator custom designed to replicate the recent THE RITA Richard III and W.I.S.P. recordings which were all otherwise constructed via pre-recorded source sounds and bias heavy fuzz pedals. Beautiful work by TH/FX NOISEDEVICES.” —THE RITA

It can be used as a handheld device, has one killswitch, and one push button to control the speed of the Geiger counter sound. 100% handmade, best metal parts, no cheap plastics, unique design, etched enclosure.

OUT NOW — an analogue guitar stack simulator which has the overdrive characteristics of a classic British style doom amp. The shape section can be set variabely so you can achieve the sound of diverse 4×12 cab models. Use the PreAmp and the shape section combined or the PreAmp alone in combination with your effect chain through your interface to record with your computer. Or as a classic overdrive into your clean amp or straight through your effects loop. The icing on the cake is the ability to switch the signal directly to your headphones which makes you independent from your interface while jamming.